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By Raven Snook Wed Sep 2 Finalist for the Pulitzer. This is fitting, considering the surreal nature of her work, in which dogs mourn, rocks cry and people take jaunts to the afterlife.

T he play In the Next Roomalso known as the Vibrator Play, was a big hit a couple of years ago in New York, which surprised no one more than Sarah Ruhlthe playwright. Although Ruhl, then 34, was a recipient of the MacArthur "genius" grant and a Pulitzer prize finalist, she thought the subject matter would confine the play to a small theatre downtown and sink without trace. This spring, it is opening in Bath.

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The procedure was thought to provide a workout for the neglected womb; it resulted in a heavy-breathing rictus, sometimes accompanied by discharge, which led to a release of tension. Ruhl hides her impish intelligence behind a simple style, maintaining a droll, detached sense of wonder at both the sexual ignorance and the sexual discoveries of her characters. Daldry the excellent Maria Dizziawho writhes slowly under the sheets on his examination table.

In The Next Room or The Vibrator Play draws inspiration from a stimulating source — the 19th-century medical practice of using a vibrator to masturbate women diagnosed with hysteria. The Brooklyn-based writer was acutely aware of the danger of salacious preconceptions. The play, set in a spa town near s New York, explores the relationship of a doctor, much taken with his new electrical orgasm-contraption, with his unhappy wife, who is struggling to adjust to motherhood.

Alert the authorities. Shocking sexual acts are taking place on the stage of the Lyceum Theater, right in the heart of the Broadway theater district, so recently scrubbed free of all smut and seeded with lawn chairs. Acts involving three people at a time, no less.

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Sarah Ruhl re-imagines the curious chapter in the early history of psychotherapy, when women were treated with a certain mechanical device. And thus began the peculiar history of the vibrator…. Brisk, clinical and efficient in manner, he obsesses on the marvels of technology and what it can do for his patients.

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As a guest artist and an adjunct, I have been thrown under the bus at other institutions, so I had some real anxiety as I thought about how to build an ensemble and begin to explore this tender terrain with undergraduate actors, even as I said that the play seemed like a very sex positive response to having a P ussy Grabber in Chief in the Oval Office. It was important to me from the start of the process to ensure that all the students knew that their voices would be heard in our rehearsal room, that they had agency. We spent the first few days of rehearsal on ensemble-building and acting exercises, slowing ratcheting up the ask in terms of vulnerability and emotional risk.

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Ruhl develops the story with the enticing blend of irreverent humor and skewed realism. It's beautiful. Sarah Ruhl made her Broadway debut this fall with her latest effervescent comedy: a play about sex, intimacy, and equality, set in the s, when enthusiasm for the electric light bulb gave rise to a handy new instrument to treat female hysteria.

Jeff Lunden. Givings Michael Cerveris, center regularly treats female patients like Mrs. Daldry Maria Dizzia for "hysteria" by inducing a "paroxysm" — what we would call an orgasm nowadays.

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